Google Street Art Workshop

It’s always a fun time when Google joins us at our San Francisco location for a team-building workshop. Our Street Art Package is a great option for groups looking to do more individualized activities and gives each guest something to take home with them. Check out the awesome stencil based mural they created on a canvas to take back to their offices!

For team building workshops or private class inquiries please contact vanessa@1amsf.com

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Opening Night Recap: “Family First”

In case you missed it, “Family First,” our first show of the new year, opened last Thursday night. Everyone had a great night of music, friends, drinks, and art of course! It’s always great to see all of our friends, old and new, coming to support our 1AM artists. In case you missed all the fun, you can always come by the gallery to check out the show. Family First will be on display Wednesday through Friday, 12-6:30pm until February 19th, 2017.

Special shout-out to all of our artists, and thanks to everyone for helping us at 1AM put family first!

Check out this video recap of the show below!

 

 

“Better Times,” Mural by It’s a Living

It’s a Living recently completed an awesome mural on the 6th Street exterior wall of our SF location, titled Better Times. Big thank you for creating such a clean, uplifting view for everyone on our 6th and Howard corner. Here are some progress shots of the mural, as well as a video interview with the artist that everyone should check out!

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Kids Street Art Class

We got back in touch with the kid inside of us with a workshop for these little guys. It was great to show these kids how to make their own art. Check out their finished products!

For team building workshop or private class inquiries please contactvanessa@1amsf.com

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“Liberdade Abstrata” by Arlin – Opening Night Recap

 

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Last night’s opening reception for Brazilian street artist Arlin was incredible, and we at 1AM were so glad to see so many familiar faces, as well as the new ones we had the opportunity to meet. We’d like to thank everyone who came through and helped make the night a success. In case you weren’t able to catch your glimpse of Arlin’s liberated birds and geometric abstraction, you can always fly by the gallery and catch the show until December 15, 2016.

For inquiries or catalog requests contact artsales@1amgallery.com.

 
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“Tourist” by Ratur and Sckaro – Opening Night Recap

Thursday’s opening for “Tourist,” by French brothers Ratur and Sckaro was a huge hit! We’d like to thank everyone, both the friends and family of 1AM and those we got the pleasure of meeting, who came out to help us kick off the start of a really awesome show paying homage to our personal home, the Bay Area. In case you weren’t able to come take a look at the splintered planes of color and intense detail, “Tourist” will be on display until November 10th. Be sure to come take a look!

Huge shoutout to Ratur and Sckaro for creating such a great show!

You can view the full “Remnants” collection here. For inquiries: artsales@1amgallery.com

 

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Sneak Peek at “Tourist,” Opening Tomorrow!

With the opening of Ratur and Sckaro’s “Tourist” tomorrow night, we’ve been busy here at 1AMSF. But even with all of the set-up going on, we wanted to make sure you all got a sneak peek at what’s in store for you all! Here are a behind-the-scenes photos to hold you over until you can get your fill at the opening on the 20th, from 6:30pm – 9:30pm. Ratur and Sckaro dedicated the theme of this awesome show to the city of San Francisco, and each piece is a unique view of the city’s key characteristics, which to us have become so familiar that we cannot appreciate them, through the fresh perspective of the tourist. Enjoy!

For catalogue inquires, email: artsales@1amgallery.com

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An Interview with Zekwer

In honor of his show here 1AM, we thought it would be a great idea to interview Zekwer and get to know more about him, his Alphabetism series, and the street art scene as a French artist.

What was your inspiration for the Alphabetism series?

For this series, my source of inspiration was simply the thousands of letters that I have seen throughout my life. But I work a lot on spontaneity, try to always maintain this side of freestyle that gives you some freedom but also doesn’t give you room for error. I scraped a lot of pieces after I started this medium, so after a while you try to combine multiple styles and then it becomes natural.

Pour cette série, ma source d’inspiration est tout simplement les milliers de lettrages que j’ai put voir tout au long de ma vie. Mais je travaille beaucoup sur la spontanéité, essayer de toujours garder ce côté freestyle qui te donne une part de liberté mais qui ne te donne pas droit à l’ erreur aussi. J’ai gratté des milliers de feuilles depuis que je suis rentré dans ce milieu, donc au bout d’un moment tu essayes de combiner plusieurs styles et le tracé devient naturel.

Do you have a favorite letter/piece in the series?

Yes, definitely and at the time I noticed that letters that I would have hated in my own work, became friends and no longer vulgar, useless shapes. But my preferred ones are W X K Y C G R.

Oui bien-sûr et au fil du temps je me suis aperçus que des lettres que j’aurai détesté avoir dans mon lettrage sont devenus des amies et non plus de vulgaire formes inutiles. Mais, mes préférées sont le W X K Y C G R

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What’s the graffiti scene like over in France compared to here in the US?

What stuck out to me was the lack of open, friendly space where everyone can paint. Here you have to find your own small patch/space on a wall belonging to some store and each artist, has their own playground/territory.

In France, you can go to different cities and you will always find enormous areas that have been closed down and find artists to make connections with or dare each other with large pieces. The level of artistry on the streets is really impressive but I’ll always have a preference for the European scene when it comes to murals.

La chose qui m’as le plus marqué est le manque de gros terrain convivial ou tt le monde peut peindre, ici tu dois trouver ton petit carré de mur chez le commerçant et chaque tracteurs à son propre terrain de jeux. 

En France , tu peux aller dans différentes villes et tu trouveras toujours un énorme spot désaffecté et rencontrer des artistes pour créer des connexions ou se défier via de grosses productions.Le le niveau dans la rue est vraiment impressionnant mais j’ai toujours une préférence pour la scène européenne en ce qui concernent les fresques.
How did you and RPES become friends?

We come from a small town where everyone knows each other, so it makes sense to run into each other at the only spot in the city where we could paint. When you practice this type of art in a small town, the connections form a lot faster. And after all, he is a good guy.

Nous sommes originaire d’une petite ville où tt le monde se connait dc c’ était logique de se rencontrer dans l unique spot de la ville.Quand tu pratique cet art dans une petite ville les connections se font plus vite. De plus, c’un bon gars.

What would you say has been your biggest challenge as an artist?

To have people understand that graffiti is an artistic movement and not visual pollution.

Faire comprendre aux gens que le graffiti est un mouvement artistique et non pas de la pollution visuelle.

How do you want people to respond to your work?

Preferably in a positive manner if it’s other artists, but if it’s not to each their own. Everyone is allowed to think what they want about my art. What matters is that I seek to please, paint, design, and evolve.

De préférence de manière positive sin ça vient d’autres artistes mais sinon je laisse libre à chacun de penser ce qu’il veut de mon art, le principal c’est que je trouve du plaisir a peindre,dessiner et évoluer.

Aside from your art, what other things are you passionate about?

Travelling!!! Meeting new people in new places. But otherwise, I’m a sports addict.

Voyager!!!! Rencontrer de nouvelles personnes, de nouveaux lieux. Mais sinon je suis un accroc de sport.

What’s coming up next for your career?

 Actually, I just finished moving to the island of Reunion, so I’m taking advantage of spending time with my family and the views of paradise, maybe putting together an exposition or two. But painting from all four corners of the world is still my ultimate goal.
Actuellement je viens de m’installer sur l’île de la réunion,dc je profites avec ma famille et je profites de cadre paradisiaque et réaliser une  expo ou deux.
Mais peindre ds les quatre coin du monde reste mon kiff ultime.
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Street Art and Social Change: Steven Grounds Reclaims a Native American Boarding School

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Artist, Steven Grounds, has been working hard the last couple years, filling the interior and exterior walls of an abandoned Native American boarding school in Concho, Oklahoma. The boarding school, during its years of operation from 1909-1983, had members from the Cheyenne and Arapaho tribes among other Native American students. Grounds is Navajo and Euchee himself, and he obtained permission to paint the buildings from the Cheyenne-Arapaho Tribe two years ago. He has been painting portraits of  his heroes and even of students who once walked the same halls ever since.

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Native American boarding schools have a dreadful history in the United States. They were built during the late 19th and early 20th centuries to provide education and to give opportunity for children with no formal schools in their vicinity. In reality, Native American boarding schools were seen as the means for the government to achieve assimilation of Native Americans. Children were usually immersed in European-American culture through appearance changes with haircuts, were forbidden to speak their native languages, and traditional names were replaced by new European-American names. The experience of the schools was often harsh, especially for the younger children who were separated from their families. In numerous ways, they were encouraged or forced to abandon their Native American identities and cultures.

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Abandoned Native American boarding school in Concho, Oklahoma

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Photograph from the Cheyenne and Arapaho Agency’s Catholic School (1920-33) (via Bureau of Indian Affairs. Concho Agency/National Archives and Records Administration)

Grounds’ work is connecting history, culture, and time to place. The abandoned school was left for ruin but he has done what street artists are good at – activating spaces. “When you walk in here you can feel that energy, that there is a history here,” says Grounds. And about his portraits he adds, “I take them as a way to show reverence. So what I paint in here comes from a place of respect.”

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Opening night recaps: Lords Anniversary & “First Edition”

We’ve been busy over here at 1AM! With openings at each of our locations this month, we can’t thank the Bay Area art community enough for your support.

“Legendary: Celebrating 30 Years of Lords Crew” is on display at our San Francisco gallery until July 14th, make sure to swing by and see a truly masterful collection of work from 12 domestic and international legends! Check out all of the opening night photos on our Facebook page. For catalog inquiries: artsales@1amgallery.com

“First Edition”, 1AM Prism’s very first juried show, is on display at our Oakland gallery until June 24th… cast your vote for the winner at 1AM Oakland any time during regular business hours.