Category Archives: Q&A with the Artists

1:AM INTERVIEWS VOGUE, REIGNING CHAMPION OF ESTRIA’S GRAFFITI BATTLE

On the eve of Estria’s 4th Annual Invitational Graffiti Battle, 1:AM had a chance to chat with the reigning champion, Vogue TDK.  Vogue is a talented graffiti artist that has earned street cred since the ’80s and still remains active to this day.  He has also taken the gallery scene by a storm recently and art buyers are flocking to add one of his paintings to their collection.  One of our art buyers once told us, “Let Vogue know that I love my painting more than I love most people.”

"Teenage Love" by Vogue

"Teenage Love" by Vogue TDK (part of THE CLASSICS, now showing @ 1:AM)

1:AM Gallery: How did graffiti begin for you?

Vogue TDK: In late 1984, after school, I turned on the TV to the local PBS station and caught the start of the documentary “Style Wars”.  There was a scene where there was a MTA train moving down the tracks, then the train curves to show some graff and that was it.  I was hooked and knew that is what I was going to do.

1:AM: What experiences made you the artist you are today?

V: I always did some sort of art throughout school.  With the help of my parents, after graduating high school, I attended Academy of Arts in San Francisco, majoring in graphic design.  After two years of that, I switched majors to illustration for another two years.  During my schooling at the Academy, I incorporated my spray painting in both my homework and random jobs. A lot of what I learned at school translated on to the constant painting I did at the 23rd Oakland tracks.  On the flip side, what I learned from my fellow graff peers and what I learned on my own also started appearing in my schoolwork.

1:AM: How does it feel to be the reigning champion of Estria’s Invitational Graffiti Battle?

V: Last year after I captured the title, it seems a lot different. I hear from other competitors jokingly, or maybe seriously, about how they are after me.  It puts a lot more pressure on me because I don’t want to bail. I want to of course, win and keep the title.  I am working hard on it.  I paint anytime I can.

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1:AM INTERVIEWS JAMES PRIGOFF, CO-AUTHOR OF “SPRAYCAN ART”

Spraycan Art, published in 1987, is one of the earliest documents of graffiti culture and is still relevant. 200,000 copies have been sold and sales continue to climb. Prigoff’s photographic prints from the 80′s are on view now as part of The Classics exhibition at 1:AM, as well as a monumental portrait of the visionary author, itself done in spraycan by Brett Cook aka Dizney.

Spraycan Art cover

Valerie Leavy: You were already documenting public art and murals in the 70′s, and that’s how you came to be interested in graffiti and spraycan art; it was another form of public art to you. Did you sense that yours was a minority opinion, or was there already some enthusiasm for the new form of expression outside of the youth and hip-hop culture that was creating it?

Jim Prigoff: I moved to Chicago in 1975. Although I frequently visited NYC on business, I wasn’t really confronted with the growing tagging [movement] in NYC and the great era of the trains. An early visit by Tony Silver to my San Francisco home in the 80’s to talk about the upcoming Style Wars film and a later introduction to Henry Chalfant in NYC, plus Getting Up by Castleman and Subway Art by Martha and Henry all made me more aware of the murals, pieces, and tags that I had been photographing. By the mid 80’s I realized that the art was coming out  the Subway tunnels, onto the city walls and handball courts and was beginning to move across the country. I wrote to Henry and said I was going to do a book about the progress of the movement and asked him to join me. He answered that, “my brain is graffitied out, but let ‘s do it.”

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PEERING INTO BODE’S WORLD

1:AM interviews Mark Bode, underground comics, tattoo, and spraycan artist. His show is on view now through July 31st at 1:AM Gallery.

Mark Bode's "Wizards, Lizards, and Broads" Opening

Valerie Leavy: I was doing a bit of research about you and according to the interwebs, you’ve lived in Northampton, Oakland, Manhattan, and San Francisco. You’re in the Bay Area now. So where did you grow up?

Mark Bode: I was born in upstate New York, in a small town called Utica. Utica was kind of a boom town in the 20’s and 30’s, kind of a mob town that blew up the city, and then when the mob moved out in the 60’s, 70’s, it kind of deflated. But I remember it being huge, you know, people bustling in the streets and stuff. It’s not quite like that anymore, it’s more of a suburban town.

VL: So, you and your father have had a real influence on visual culture. Is there anything in Utica that is kind of a monument to that? Any graffiti?

MB: Um, the only famous people that came out of Utica were um, Dick Clark and Annette Funicello.  And my father.

VL: (laughing) What a legacy.

MB: Um, yeah, so there’s not a whole lot in Utica as far as art and culture and stuff. But I did a mural at the Children’s Museum in Utica about 10 years ago, not sure if it’s still there. But I did a mural inside, you know, for the children. That was the only museum I could get down with at the time. But, maybe things’ll change.

VL: So I read that your Miami Mice comic was wildly successful; in its first year it sold 180,000 copies. What do you think were the factors that led to the widespread popularity of this underground comic?

MB: It was published by an underground comics publisher, Rip Off Press, and they just lived down the street when I came up with that [Miami Mice]. But there was a black & white comics boom that was spurred by the creation of the Teenage Mutant Ninja Turtles and that boom was like, Radioactive Black Belt Hamsters and uh-

VL: (laughing) Is that real? Radioactive Black Belt Hamsters?

MB: Yeah, they were real comics, yeah. And everybody was jumpin’ on that bandwagon, tryin’ to get part of that light. And it was, you know, Fish Police, and Hamster Vice, and all these different things. And I came in right at that time and I knew that I wanted to ride that wave. My wife and I were walking through a mall, and we saw a Miami Mice t-shirt and she goes, “Wouldn’t that make a good comic book?” and I was like, “Yeah, it would.” And Miami Vice was huge, it was the biggest thing on TV pretty much. Knowing that you can’t copyright a parody, I knew the Miami Mice t-shirt people were just makin’ money off the shirts and I had a better idea. Well, my wife did actually. And I banged out a comic book in about a month, it was 30 pages. And I didn’t spend much time on the art, I’d just, like, bang it out as quick as I could, get on that wave.

VL: So were you surprised when it was that successful?

MB: Yeah. But we had some warnings, you know, I was hangin’ out at Rip Off Press waiting for the first issue to come in, and we had Chinese speculators calling us.

VL: Wow.

MB: Yeah. And so we knew that something’ was up. And it’s like, Chinese speculators, wow, that’s something. And so the first print run was 40,000. The second issue went to 60,000 and then it went down again to like, 50 or 40. And then it went to 20 on number four. And I called it quits at that point. I didn’t know any better, but 20,000 is still a really nice print run. But I had illusions of grandeur, that I could just dump it, and go do something that was really cool, more Bode-ish, and get those numbers, and since I did that my print run went down to less than 10. So I kinda lost that gamble, but I didn’t wanna be known for creating a parody of a TV show, so I dumped it. But in a year’s time, we sold 180,000 copies. It was a good run, and I got a first taste of a nice day of it as an artist.

VL: Is there a comic or a group of characters that you enjoy illustrating more than the rest, or that you did enjoy even if you don’t do it anymore?

MB: Absolutely. My father’s work is always… I mean, I was brainwashed as a child, you know, my father taught me that these characters were real, before I knew what reality was.  When you’re four or five years old, reality is whatever it is.

VL: Oh yeah, you close your eyes and think no one else can see you.

MB: Yeah. The whole world stops. When you close your eyes. And in fact I’ve contemplated that many times. My father said, “Yes, son. Everything DOES stop.” And you know, I thought that his stuff was real, ‘cause he’d show me the comic, and a day later he’d say, “Let’s go to where I saw Cheech last and wait for him,” So as we’re eating lunch, up on the hill waiting for Cheech, I found myself wondering where he was, and he’s like, “Oh, he’s busy, just hasn’t shown up yet. But at least I can show you the drawings from when we hung out.” So I started envisioning the characters coming up the hill. And that’s what he was doing, he was systematically, in a good way, brainwashing me.

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ATTABOY ON VIMBY… FINALLY!

Back in August, we had the pleasure of hosting Attaboy’s solo show “Antidote” at 1:AM gallery. Satva Leung, from VIMBY, interviewed him and they finally posted it online.  We’ve been patiently waiting for this…

Check it out and be inspired to VERB SOMETHING!

Thanks Attaboy and Satva!

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EMERGING ARTIST ALERT: CHRISTOPHER DE LEON

One of the most talked about pieces in the “Tabi Tabi Po” show is Christopher de Leon’s “The Rite”.  He is an up and coming artist who we believe is the next hot thang that is going take over the urban contemporary art scene.

Christopher de Leon being interviewed by Pia from Myx tv.

We had never met Chris until a week before the show.  Fighting a nasty cold, he dropped off his contribution and upon appraising his work, it was instantly recognized as one of the showstoppers for the exhibit.  The following Saturday, he offered James (the curator) his services to transform 1:AM gallery to a Filipino shanty town.  He was at the gallery almost day and night for the entire week leading up to the opening and  painted dope murals on the interior and exterior walls of the gallery.  He really helped to make “Tabi Tabi Po” come alive!
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MAKIN’ IT HAPPEN: JAMES “gaNyan” GARCIA

James “gaNyan” Garcia definitely put his heart and soul into making his vision a reality.  “Tabi Tabi Po” not only presents amazing pieces of art but also an experience.  From the recorded sounds of the busy streets of the Philippines to a shanty depicting the slums of Manila to the traditional huts called “Bahay Kubo” with baybayin markings on the doorway to the documentary showcasing Filipino artists explaining folklore creatures to the murals inside and outside, James has brought the Philippines to 1:AM gallery.  If you have not had a chance to see it, make sure you head down to the gallery and soak in the Filipino culture.

Get to know the mastermind behind “Tabi Tabi Po” by reading the interview we did with him below.

IMG_7489

James being blessed by Kulart's Alleluia Panis during the opening night

How did you come up with the theme “Tabi Tabi Po”?

I have been doing research on Filipino Folklore for the past couple years and have been implementing it here and there in my personal works. I found it a great way to learn more about my culture. I felt that by having an exhibit where other artists of Filipino descent express themselves through exploring Filipino Folklore- it would create a space for dialogue for the Fil-Am Community to connect and re-connect through this tradition, and ultimately share this with the greater bay area community. Tabi Tabi Po, means pardon me, or excuse me, often said to Filipino Forest Creatures so they won’t but a spell on you…to me these creatures protect the forest and help keep people aware of the environment. Myth, or reality, folklore allows us to open up to the idea that spirits exists, and fooling with Mother Nature ain’t no joke.


What Filipino folklore creature: scares you the most? you are
most captivated by?
The Manananggal, is the most frightening and captivating to me. They split into 2 halves, their torso separates from the waist down, and grow bat wings and hunt for peoples organs and expecting mothers’ fetuses at night…and in the day blend into society as beautiful women.

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Sneak peek of Katch

Katch One from Hawai’i will be gracing the walls of 1:AM gallery this Friday for the first time.  As one of the judges for Estria’s Invitational Graffiti Battle Hawai’i, he came out strong and illustrated his take on “Ode to the Spraycan”.  His pieces are sick… here’s a peek.

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Intricacies of Attaboy

Attaboy will be hosting his first solo show in San Francisco since 2001.  The opening reception is on August 14th from 7-10pm at 1AM SF gallery.  Here is an inside look into the intricate workings of the mastermind behind the hyper unreal art.

atta1

1. What is your inspiration for your art?

It’s the way that I cope with things, defragment the mental lentils, and put them ducks in a row, make sense of things. Annie Owens , my fiancée, puts me on the right track. Without her, I’d be in a ball, overwhelmed by the sheer impossibility of my existence. Making art is usually a completely selfish thing or self-righteous, even though I can’t spell that word without spell check.

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Who is Lily Black?

Lily Black can be described in many words, but ordinary is most definitely not one of them.  In the current 1AM SF gallery show “Into the Darkness”, Lily’s custom toys are the showstoppers.  Veteran artists in the field claim that his pieces are knock you outta your shoes good.  His attention to detail, use of random materials, and his thought provoking messages  draw people to the intricate world he has created.

As a resident artist and teacher of 1AM SF gallery, we wanted to peer into the mind of the person who is taking the custom toy vinyl world by a storm.  Look out because Lily Black has arrived.

Lily Black Teaching

Lily Black Teaching

Mesmerized.

Mesmerized.

Q&A

How did you start in custom toy design?  Who/how were you introduced to it?

It’s weird, I was a toy designer for Chronicle Books in a very free lance sort of way.  ‘Spike and Jeff’s Sailcar Kit’,  I’m Spike.  I’ve been working on ‘Darth Barbie’ in secret of course, for years, I just didn’t think anyone would be that interested.  1Am is on the way to the store where I buy lunch everyday.  It’s that good (Split Pea Seduction on 6th).  Finally, I couldn’t contain myself.  The store has toys and paint.  It was just a matter of time. When I asked Dan what they did in there he told me about do it yourself toys.  I stopped short of saying all toys are do it yourself toys and bought a Munny.  It’s in the show it’s the Munnykampfwagen I Ausf. A (check it out at the 1AM gallery or visit www.toyjunkiesf.com).

What is your inspiration?
Besides Dan Pan?  Um jeez, what isn’t?  Bobby McFerrin is probably the only thing on earth I’m not a little curious about or inspired by.  That ‘Don’t Worry be Happy’ song is like kryptonite to me.  It changes.  I try to remember that.  What I like is going to change and that’s fine.  I used to love baloney and american cheese sandwiches, when I was five.  This week, I like these erotic toys from Japan.  Last week, I liked reading reference material about the vk3001 or Maus tank.  It changes you see.

What training have you had to bring you to this point in your career?

Um, corset training?  Yeah, I can go down to twenty four inches.  Does this come with a picture?  I went to community college for everything.  All the art classes, except photography.  Their clean clothes inspired in me a deep mistrust that has lasted until this day.  Ano,  Nihongo no kurasu o benkyoo o shimashita.  I took red cross training for all kinds of stuff like how to give CPR to a rubber dummy.  One time I took a nonviolent crisis deescalation seminar.  That was rad.  Study is cool for its own sake.  I’d study anything.  Though if there was a seminar on Bobby Mcferrin I’d run away like my tail was on fire.

How long does it take you to make one piece?

Well,  how long does it take to make a duck?  You could say the egg is laid and the duck comes out and it takes that long to make a duck.  Also you could look back to where ducks diverge as a species from other similar birds and say It takes that long to make a duck.  So yeah, three weeks.  I’m kidding.  I have no idea.
It’s a life of looking and practicing.  the execution of one piece isn’t something I gauge, so I don’t have any real stats.  Like the sign says “open ’til closed”.

What materials do you use?
No stained glass.  I really dislike working with glass.  Anything else is fine.  For a while I used to cut things out of the covers of match books.  What’s a good answer?  Hmm.  I use what’s handy.

Your customs usually include accessories from action figures.  Where do you get these accessories?
I look for bargains.  I’m going to stop there because that is such useful advice.  Look for bargains.

Your pieces for “Into the Darkness” are incredible.  You approached the theme differently then the other artists.  How did you interpret “Into the Darkness”?
Shucks, the show was incredible.  A lot of people worked really hard on it.  Honestly, I didn’t interpret.   I guess my stuff is so morose and sad-making all on it’s own that it was a good fit.  Isn’t that depressing?

As a resident artist and teacher at 1AM SF gallery, can you tell us how you became a part of the gallery?
I should have read ahead and seen this question coming.  I would have saved my juicy origin story for this part.  1AM is on the way to the place where I buy my sandwich, everyday.  Today it was a Monte Cristo.  It was magnificent.  I became a part of things I suppose by showing up.  There might have been more parts, but that was the kicker.

How are your “Toy Modification” classes going?
I think well.  The people who attend appear to like it a lot and no one has gotten hurt.  Right now the classes are small, so each project gets lots of attention.  I like it at any rate.

What can students expect from your “Toy Modification” classes?

Successful careers as artists.  That was so funny, I’m crying as I type this.  Really it’s a micro shop skills class built around what ever the project toy of the class is.  Razor saws, X-acto knives, files, etc. and painting techniques all get explained with an emphasis on safe and cheap ways to do things.

How did you get into teaching?
I lost a bet.  Got mixed up with the wrong crowd and now I’m a teacher.
I get this enormous satisfaction knowing how things work and shedding my own ignorance on topics both great and small, so I’m going to guess that other people feel the same way.  The things that frightened me the most were things I didn’t understand, so I think the ritual of teaching anything is important, because the ritual of learning does so much to assuage fear.

Can you walk us through your typical day?
I make something or draw something, however small, I don’t care.   I just like to work everyday.  Also I write, even a few sentences everyday, and I go to band practice twice a week.  Then there is the aforementioned sandwich and sometimes one of my stupid and taudry get-rich-never schemes will take up part of an afternoon.  The cat and I go outside into the garden too.  Everyday.  Her name is Laika and she’s my trophy cat.  Yeah, a typical day is playing handmaid and door person for an irredeemably spoiled cat.  Oh and I eat a handful of prescription meds. I’ve got HIV, cabin fever, the delta blues, the sniffles, and just a list of stuff.

Tell us something that people don’t know about you but you want them to know.

Papercastlepress is going to publish one of my books, maybe more.  There is a sample at papercastlepress.com in the future titles section.  If you like it, go on Sophie’s blog and tell her.  It is a little randy so heads up.  Fawnmowerpettingzoo on myspace is pretty groovy too.

If you had three wishes what would it be?
They came true.  Now, I’m not stupid enough to wish for things.  Once an angel visited a Russian farmer and said, “I’ll grant you any wish, but what ever I give you I’ll give to your neighbor two times.”  The farmer thought and said, “Gouge out my eye.”

Do you live by mantra?  If yes, what?

Oh God, yes tons of them.  “Who dares wins”,  “You only live once at a time”,  “If I can not find a way I shall make one”, “Nemo me impudae lacessit”  that sort of stuff.

Can you tell us what our fans can expect from Lily Black in the next 5 years?
Crow’s feet, best case scenario.  I can’t guess.  Can you?  I’m sure it will involve an avalanche of work, but no, I haven’t a clue.  What a lame answer.  I don’t think I’ll become the darling of interviewers in the next five years if thats any help.

Quick Answers

Your Favorite…

Custom piece you have created: The next one, it’ll be amazing.

Art piece you have created: Me.

… Montana Spray Paint Color: Marron chocolate, hands down.  Alien is a tougher call, probably spectra black, it’s a life saver.  Verde Luz is the best 94.  Carton and hueso are hard to live with out too.

… Toy growing up: An action figure of Xera, cornelius’ wife from the planet of the apes.  I’m not kidding.

… Toy now: These goofy little Masceinen Kreiger 1/35 scale toys.

… Artist (dead or alive):
Ace Freely

… Magazine: Fangoria, old ones, what ever Dan’s got.

… Book: Dan Webb’s books in Oakland.  About a pound a week on average.

… Place to go to get your creative juice flowin’:
After Dan Webb’s books, I’m cool.  Dan said that is how the cloth chairs got ruined, now he has got a plastic one.  Those creative juices can wreak havoc on a nice upholstery job.

… Kind of caffeine to keep you movin’
:  I take caffeine indiscriminately.  Perhaps if Bobby mcferrin was handing out coffee I’d have second thoughts, but I’d pretty definitely take some.

“Into the Darkness” exhibit will be at 1AM SF gallery through July 3rd.  Come on by or visit www.toyjunkiesf.com.

Piano Lessons by Lily Black

Piano Lessons by Lily Black

Flamm Panzer Krieger by Lily Black

Flamm Panzer Krieger by Lily Black

Bephel Panzer Krieger by Lily Black

Bephel Panzer Krieger by Lily Black

Large Munny Recovery Vehicle by Lily Black

Large Munny Recovery Vehicle by Lily Black

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Finding 64 Colors

Currently, 1AM SF gallery is hosting a custom toy vinyl show called “Into the Darkness” with DrilOne.  One of the most talked about and sought after pieces was a contribution from 64 Colors called “Night Mary”.  Interpreting the theme, Laura and Eric (the married couple behind the masterpiece) customized a fascinating piece depicting creatures of the night with piercing blue eyes peering straight into your soul.  With this captivating piece, we have become big fans of 64 Colors and can’t wait for what they have for us next.  Until then, we wanted to know more about the people behind 64 Colors.

Q&A

How did you come up with the name 64 Colors?
Well, we both started out with a box of Crayola crayons. There were 64 in the pack so… 64 Colors.

How did you guys get your start in custom toy design?  Who/how were you introduced to it?
It’s a by product of having so many toys in the studio and having a toy that just released.  “Marshall” which we designed and was produced by Rotofugi and Squibbles Ink in Chicago.  Check out www.marshalltoys.com. Through that, we met Ryan Crippen from Reactor 88 who introduced us to Alex Dril. Alex was kind enough to let us create a  custom for the IWG show
he curated. Super nice people!

What are your inspirations?
Nature, art, Japan, cartoons, toys, seeing great work by other people.  Everyday we see inspiring work!

What training have you had to bring you to this point in your  career?
Both went to art school. Lot’s of live model + painting classes. Classic training we suppose. Also work as a design, illustration studio and do a wide range of character design, packaging, illustrations and graphic design projects.

How do you guys know each other?

Met in art school, got married.

Do you guys ever get on each other’s nerves?

Yes! One of us is generally calm while the other is a bit high strung. There are occationally shouting matches but we have short attention spans and forget quickly.

If you had to designate roles to each other, what would they be? (e.g. who is the slave driver, the visionary, etc)
Depends on the project. It’s really a 50/50 collaboration. No one is in charge and maybe that makes things work best for us.

Tell us something that people don’t know about you guys but you want them to know.
Ummmm, Hmmmm, Uhhhh… :\ *draws blank*

When you were given the task of creating a piece for “Into the Darkness”, how did you interpret it?
Moonlight, creatures of the night, loneliness, wandering, dreams, nightmares, tree branches, wind, wonder and dark colors. Then wrap that into one character with a back story. We hope that our customs project personality and emotion as that is what we try to do with each piece.

How long did it take to make a piece like “Night Mary”?
About 3 weeks total. The project gets placed into our regular work flow and we toss it back and forth so the piece evolves over time.

For your Munny customs, who is your muse/model for the eyes (e.g. Natural Beauty and Night Mary)?
That’s just how Laura paints them. No particular muse or model. Just a style developed over time and trial and error. The eyes are the window to the soul you know. :)

Can you tell us what our fans can expect from 64 Colors in the next 5 years?
5 years is a long time. More customs, paintings, toys, animation, some books.  We hope our work will improve and opportunities will happen that will allow us to work on a wide variety of projects all over the globe. That sounds good to us! :)

Quick Answers to Your Favorite…

… Toy growing up

Laura: Barbie / Eric: Legos and maple blocks.

… Toy now
Laura: Friends with You Super Malfi / Eric: ThreeA Squares (I love Malfi too!)

… Artist (dead or alive)
Laura: Tamara de Lempicka / Eric: Mark Ryden

... Magazine
Laura: High Fructose / Eric: Giant Robot

… Books
Laura: Science Fiction/Fantasy / Eric: Biographies/History

… Place to go to get your creative juice flowin’
A museum, a car ride, a bike ride… could be anywhere and we always carry a sketchbook.

… Kind of Coffee
Laura: No coffee, Rootbeer / Eric: coffee black from anywhere as long as it’s good.

by 64 Colors...visit www.marshalltoys.com

by 64 Colors...visit www.marshalltoys.com

"Night Mary" by 64 Colors @ 1AM SF Gallery

"Night Mary" by 64 Colors @ 1AM SF Gallery

“Into the Darkness” exhibit will be at 1AM SF gallery through July 3rd.  Come on by or visit www.toyjunkiesf.com.

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